Atlas / Plate 27

Plate 27 · from German

Übermensch

“Superman” now wears a cape. The German word is over plus human. French surhomme and Spanish superhombre split the same problem in two different prefixes.

Friedrich Nietzsche, Also sprach Zarathustra. Über is over or above. Mensch is a human being. Early English used “superman.” Walter Kaufmann argued for “overman,” against the hero register the other word grew.

Where the line breaks

Alignment of Übermensch into 5 lanes. Arrives, thins, and breaks are written in each cell. The same information is in the text alternative below.
DEParts
ÜberOver, above
MenschHuman being
DESourceÜbermensch
ÜberSource
MenschSource
EN English Published translation superman
super Breaks Register
man Thins Connotation

Published translation. The early English rendering. The comic-book hero, later, made the register problem impossible to ignore. The register was already wrong before the comics.

EN English Published translation overman
over Arrives
man Thins Connotation

Published translation. Kaufmann’s calque. It keeps über as over, and still says man.

FR French Usual rendering surhomme
sur Arrives
homme Thins Connotation

Usual rendering. The usual French calque. Sur is over. Homme is a man, and a human, with the masculine pull homme always has.

ES Spanish Usual rendering superhombre
super Breaks Register
hombre Thins Connotation

Usual rendering. The usual Spanish compound. It takes the “super” prefix English got into trouble with.

JA Japanese Usual rendering 超人
超 Thins Register
人 Arrives

Usual rendering. The usual Japanese rendering, 超 above or super, 人 person. The same two characters are also the ordinary word for a superhuman figure.

Text alternative

English “superman” (published translation): breaks: register. English “overman” (published translation): thins: connotation. French “surhomme” (usual rendering): thins: connotation. Spanish “superhombre” (usual rendering): breaks: register. Japanese “超人” (usual rendering): thins: register.

Über Over, above

A prefix of crossing above, not the “super” of superlative marketing or of a hero’s powers.

What happens to “Über” in each lane
LaneFormStatusBreakWhat happens
English super Breaks Register Super is above, and it is also the register of the exceptional product and the costumed hero. Über is a directional prefix.
English over Arrives — The directional prefix is calqued. The word sounds alien, which is part of the repair.
French sur Arrives — Over, above. A fair calque of über.
Spanish super Breaks Register The same register problem as English super-.
Japanese 超 Thins Register 超 is above, beyond. It is also the prefix of the superhuman in popular use. Both readings are available.

Mensch Human being

Human, not specifically a male hero. English “man” in “overman” still leans male. Mensch does not.

What happens to “Mensch” in each lane
LaneFormStatusBreakWhat happens
English man Thins Connotation Man as male, and as the hero of a story. Mensch is a human person.
English man Thins Connotation Still gendered in English in a way Mensch is not. Closer, and not home.
French homme Thins Connotation Human, and masculine. The gender problem of “man,” in French form.
Spanish hombre Thins Connotation A man. Gendered, like homme and man.
Japanese 人 Arrives — Person, human. Not a male morpheme. This half arrives more cleanly than English man.

The joint

Übermensch is a directional compound: a human over the human, the figure Zarathustra is talking toward. Über is over, across, above. Mensch is a person. Early English said “superman,” which puts the figure in the register of the superlative and, after 1938, of the cape. Kaufmann’s “overman” is a calque that refuses that register. It still says “man.”

French surhomme calques the direction with sur and takes the gendered noun. Spanish superhombre copies the risky prefix. Japanese 超人 is the interesting middle: 人 really is a person, not a man, and 超 really is “beyond,” and the compound is also what you would call a superhuman hero in a different kind of story. The register is available in both directions. Context has to shut one of them.

None of these breaks stops a reader understanding the chapter. They change the costume the figure arrives in. Costume is register. Nietzsche is not helped by a cape.

Why this break matters to a reader

A reader who meets “superman” has been handed a champion. A reader who meets “overman” has been handed a piece of translationese, which at least does not cheer. A reader of 超人 can go either way, and the book has to steer. The philosophical claim is about a kind of human, not about powers. The word that sounds like powers has already argued, wrongly, before the paragraph begins.