Atlas / Plate 04

Plate 04 · from French

À la recherche du temps perdu

The French title is a search for lost time. The famous English and Chinese titles go off and become literature of their own.

Marcel Proust, À la recherche du temps perdu (1913–1927).

Where the line breaks

Alignment of À la recherche du temps perdu into 6 lanes. Arrives, thins, and breaks are written in each cell. The same information is in the text alternative below.
FRParts
À la rechercheSearch
du tempsTime
perduLost
FRSourceÀ la recherche du temps perdu
À la rechercheSource
du tempsSource
perduSource
EN English Published translation Remembrance of Things Past
Remembrance Breaks Cultural reference
Things Breaks Cultural reference
Past Thins Connotation

Published translation. C. K. Scott Moncrieff. The title is taken from Shakespeare’s Sonnet 30 (“remembrance of things past”), an English allusion Proust’s title does not make.

EN English Published translation In Search of Lost Time
In Search Arrives
Time Arrives
Lost Arrives

Published translation. The later English title, a calque. It replaced Moncrieff’s Shakespeare.

DE German Usual rendering Auf der Suche nach der verlorenen Zeit
Auf der Suche Arrives
Zeit Arrives
verlorenen Arrives

Usual rendering. The standard German title, a close calque.

JA Japanese Usual rendering 失われた時を求めて
求めて Arrives
時 Arrives
失われた Arrives

Usual rendering. The standard Japanese title. Japanese order puts the lost time before the seeking. The parts still match.

ZH Chinese Published translation 追忆似水年华
追忆 Breaks Cultural reference
年华 Breaks Cultural reference
似水 Breaks Cultural reference

Published translation. The familiar Chinese title of the 1991 translation. 周克希 has treated it as kin to the older English title, and used a closer name for his own volumes.

ZH Chinese Published translation 追寻逝去的时光
追寻 Arrives
时光 Thins Connotation
逝去的 Thins Connotation

Published translation. 周克希’s title, used for the volumes he completed.

Text alternative

English “Remembrance of Things Past” (published translation): breaks: cultural reference. English “In Search of Lost Time” (published translation): arrives. German “Auf der Suche nach der verlorenen Zeit” (usual rendering): arrives. Japanese “失われた時を求めて” (usual rendering): arrives. Chinese “追忆似水年华” (published translation): breaks: cultural reference. Chinese “追寻逝去的时光” (published translation): thins: connotation.

À la recherche Search

recherche is a search, and the word can also mean research. The title’s primary sense is the search, not a reminiscence already in hand.

What happens to “À la recherche” in each lane
LaneFormStatusBreakWhat happens
English Remembrance Breaks Cultural reference A remembering, not a search. The phrase is a Shakespeare citation.
English In Search Arrives — The search is back.
German Auf der Suche Arrives — The search is kept.
Japanese 求めて Arrives — 求める is to seek. The search arrives.
Chinese 追忆 Breaks Cultural reference 追忆 is to recollect. The search has become remembrance, as in Moncrieff.
Chinese 追寻 Arrives — 追寻 is to pursue, to search after.

du temps Time

temps: time. The object of the search.

What happens to “du temps” in each lane
LaneFormStatusBreakWhat happens
English Things Breaks Cultural reference “Things” replaces time. The sonnet’s wording has taken over.
English Time Arrives — Time is the object again.
German Zeit Arrives — Time is kept.
Japanese 時 Arrives — Time arrives.
Chinese 年华 Breaks Cultural reference 年华 is the bloom of years, a literary Chinese phrase, not temps.
Chinese 时光 Thins Connotation 时光 is time as lived, seasonal, a touch more lyrical than temps.

perdu Lost

perdu is lost, gone. A secondary reading, “wasted,” is available from expressions like perdre son temps. It is not required by the title. Marked as secondary.

What happens to “perdu” in each lane
LaneFormStatusBreakWhat happens
English Past Thins Connotation The past is adjacent to lost time. It drops both “lost” and the search.
English Lost Arrives — “Lost” matches the primary sense. The secondary “wasted time” reading, if one wants it, is still not in “lost.” It was never the title’s main sense.
German verlorenen Arrives — Lost, as a past participle agreeing with Zeit.
Japanese 失われた Arrives — Lost, as a past participle on 時.
Chinese 似水 Breaks Cultural reference 似水, “like water,” is a Chinese figure for time passing. Proust’s title has no river.
Chinese 逝去的 Thins Connotation 逝去 is “passed away,” gone with time. Close to perdu, softer than “lost.”

The joint

À la recherche du temps perdu says what the book does. Someone is in search of time that has been lost. Recherche can also mean research. The title’s weight is the search.

Moncrieff’s Remembrance of Things Past replaces that sentence with a line from Sonnet 30. English readers for decades met a Shakespearean recollection, not a search, and “things” instead of time. The later English title, In Search of Lost Time, gives the search and the loss back.

German Auf der Suche nach der verlorenen Zeit and Japanese 失われた時を求めて are calques. They carry. The familiar Chinese title, 追忆似水年华, does what Moncrieff did by other means: it becomes a beautiful title in the target literature. Recollection, years like water. 周克希’s 追寻逝去的时光 comes back toward the French, with a lyrical tint in 时光 and 逝去.

Why this break matters to a reader

A reader of “Remembrance of Things Past” expects memory as a mood, and an English poet standing behind the book. A reader of the French, the German, or the later English expects a search, with time as the thing lost. Proust’s book is that search. The sonnet is a beautiful crate that contained a different good.